A
review copy was provided by the author in return for an honest review.
I recently read and reviewed ‘In A Cream Packard’ by the same author.
In spite of my lengthy criticism of that novel, the author did not back down,
instead requesting reviews of two other books that he wrote. Few authors take
criticism well, and I truly appreciate Edward in this regard.
‘A bridge to cross’ has stirred my
interest for several reasons. To start with, I was very curious to see how Edward’s
writing has evolved. I was not disappointed.
The pros:
The
expression is very pleasant, polished and highly educated; characteristics that
are magnets to me when it comes to picking my readings.
I
paid particular attention to the way the author depicted the late 1920s. A
wonderful sense of authenticity was present all along. Few authors have the
ability to capture time and place in their novels, and I must say that Edward
masters it beautifully. Just like with my previous read, I could picture this
novel successfully turned into a black and white movie (if this were possible
nowadays).
I also appreciated the
author’s thoughtful decision to add notes and a glossary of the 1920s slang at
the end of the book.
The cons:
I
feel I must repeat a comment made in my review of ‘In A Cream Packard.’ Although beautiful, the depiction of things
and places is excessive, providing details that are often unnecessary and
irrelevant. Edward may argue that they contribute to the sense of authenticity,
but they are, in my view, unnecessarily elaborate. A good book is one that
draws the reader in; one in which the author’s presence is barely noticeable,
if at all. A writer’s first rule is ‘Show, don’t tell.’ This technique enables the reader to experience the story through action,
words, thoughts, senses and feelings rather than through the author's
exposition, summarization, and description. Ernest Hemingway has depicted it as
‘the Iceberg Theory,’ from which I quote what I believe to be the relevant
phrase: ‘The dignity of movement of an iceberg is due to only one-eighth of it
being above water.’ It speaks for itself.
A relevant example of the
author’s departure from the above theory in ‘A bridge to cross’ is his description of the main characters. He
tells the reader all about them in a few condensed paragraphs at the beginning
of the book. I was disappointed to read all that was to be known about the
characters, instead of seeing them fleshed out throughout the book. It felt as
if there was nothing to discover or to explore about them after that.
Conclusion:
Although this novel has
its shortcomings and fails to send my heart into an excited throb, it was a
pleasant and relaxed read that I would certainly recommend to every lover of the
1920’s era, the dynamism of which is beautifully depicted therein. A great read
sprinkled with some surprises, more energetic than ‘In a Cream Packard’, more daring too as far as romanticism and
intimate scenes are concerned.
Edward’s novel can be purchased on Amazon in both hard copy and Ebook format. Click HERE to access the purchase link.
Edward’s novel can be purchased on Amazon in both hard copy and Ebook format. Click HERE to access the purchase link.
COMING SOON
Review of Love's sorrow by Terry Rochenski
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